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Travis Kelce is one of the most popular football players in the NFL and his love life has often been in the headlines.

 

The 33-year-old athlete, who is a tight end for the Kansas City Chiefs, went through a very public breakup in 2022 and he’s been linked to some famous faces as well.

You might also remember that Travis was the star of a dating reality series many years ago, so his personal life has been in the spotlight for quite some time.

Browse through the Pictures to see who Travis Kelce has been linked to in the past…

 

Maya Benberry

Maya Benberry was the winner of Travis‘ E! dating reality series Chasing Kelce back in 2016.

“I just feel like the luckiest girl in the world,” Maya said on the finale. “For that to be my man, and he’s really my man now, it’s just amazing that my dream guy is now mine!”

“It’s been the craziest roller coaster of my life,” Travis said at the time. “I am so excited to be with Maya and see how we grow as a couple and to see where our relationship can go.”

The romance didn’t last that long though.

 

Kayla Nicole

Barstool Sports reported in May 2022 that the couple broke up because Kayla allegedly believed that Travis was “cheap.” There were allegations that he made her pay for half of everything, despite him having a massive salary from the NFL.

“Travis is very cheap. In the beginning he tried to make Kayla ‘prove’ that she wasn’t with him for the money . . . so she had to pay half of everything,” a tipster told the blog. “Half of every date, every trip, everything.”

“Don’t buy into that s-t!” Travis said on The Pivot podcast in January 2023. “I would never say that I was supporting her. She had a very financially stable life and what she was doing in her career. You’ve got to be crazy if you think I’d never helped or gave her a couple dollars to grab some food or she gave me some money… We were in a relationship for five years. A hundred dollars here and hundred dollars there wasn’t even thought about, which is ridiculous.”

Kayla responded to the claims on Twitter and said, “Not sure where y’all got this nonsense from, but it’s absurd and very false.”

 

Zuri Hall

There were rumors in 2022 that Travis was linked to Access Hollywood correspondent Zuri Hall, but those were never confirmed.

A video surfaced of her hanging out in a suite with the Kelce family at a Chiefs game.

Reports also claimed that Zuri and Kayla unfollowed each other on Instagram.

At this point though, it’s all rumors.

And his current girlfriend is…

 

Taylor Swift

Rumors swirled about Travis being linked to Taylor Swift after he recently attended one of her concerts and spoke out about not being able to meet her at the show.

“Taylor and Travis have been quietly hanging out,” a source told The Messenger on September 12. “She saw him when she was in New York City a few weeks ago.”

Well, now they are officially a couple.

Taylor attended the Kansas City Chiefs football game in Missouri on September 24 and then she went to several more, even bringing famous friends. They’ve since had some whirlwind weekends together that have been heavily covered in the media, including Travis‘ recent visit to Buenos Aires to see Taylor‘s show.

 

In March 2024, a petition signed by more than 1 million fans of “The View” was sent to ABC executives, asking them to fire Whoopi Goldberg and Joy Behar as hosts.

In March 2024, the Dunning-Kruger Times published an article claiming more than 1 million fans of “The View” were petitioning ABC to fire hosts Whoopi Goldberg and Joy Behar:

Fans of The View Petition ABC to Fire Whoopi and Joy: “We Want Our Show Back”

The View has been on television for going on three decades. In that time, it’s seen some of the most interesting exchanges on television. When Survivor celebrity Elizabeth Hasselbeck joined, the show got a bit of a political push.

Unfortunately, over the last few years, the show has gone full-tilt into politics, with a deep dive to the left. It’s become so awful that a group of more than one million fans sent ABC a petition to remove Joy Behar and Whoopi Goldberg.

We found social media posts with the claim on Facebook. Additionally, the Dunning-Kruger Times’ article was published word-for-word on at least three other websites.

The claim about a fan-led petition against Goldberg and Behar wasn’t true. On the Dunning-Kruger Times’ “About Us” page, the outlet described its articles as fiction.

 

 

Taylor Swift’s got bad blood again.

 

After making a name for herself as one of the most prolific songwriters of all time with her autobiographical chronicles of love, loss, family, friends and heartbreak, the pop superstar flipped a switch in 2020 and began introducing fictional characters and narratives into her work, making her somewhat of an enigma overnight.

But there’s no mistaking that Swift’s devastating 11th studio album, “The Tortured Poets Department” (out Friday), is about her ex-boyfriend Joe Alwyn, the struggling actor she paints as a soul-sucking wallflower who, for six long years, tried to dull the same sparkle that made her the biggest star of her generation.

Their 2023 breakup brings out a ferocious side of Swift we haven’t heard since “Dear John,” her 2010 takedown of another past lover, John Mayer.

“You say I abandoned the ship / But I was going down with it,” she snarls on the menacing “So Long, London,” a nod to Alwyn’s hometown, where the notoriously private couple cohabitated in their glory days.

At times, Swift, 34, roasts Alwyn, 33, mercilessly. She says he failed to “measure up” to “any measure of a man” on the blistering “The Smallest Man Who Ever Lived,” while the epically titled “My Boy Only Breaks His Favorite Toys” sees him childishly destroying the sand castle of which she’s queen.

Matty Healy, with whom Swift had a post-Alwyn fling, is another target of the Grammy winner’s biting humor, with the ’80s-influenced title track poking fun at the “tattooed golden retriever” for being more committed to his dilapidated typewriter than his summer paramour.

“You smoked then ate seven bars of chocolate,” she sings, referencing Healy’s 2013 hit “Chocolate” with his band, The 1975. “We declared Charlie Puth should be a bigger artist.” (Facts.)

 

Across the Jack Antonoff- and Aaron Dessner-produced album, though, Swift is more of a heartbroken savant turning her pain into poetry than a scorned woman filling out a burn book.

She is mature enough to acknowledge that she “chose this cyclone” with controversy collector Healy (on “The Tortured Poets Department”) and continued to love Alwyn even when it was “ruining” her life (on the Post Malone-featured opener and lead single, “Fortnight”).

Swift looks back fondly on her starry-eyed honeymoon phase with Alwyn (“You should’ve seen him when he first saw me,” she enthuses at one point), but as soon as their relationship takes a left turn, chaos unfolds.

“You s–t-talked me under the table / Talkin’ rings and talkin’ cradles / I wish I could unrecall / How we almost had it all,” her voice quavers on the plodding, “Exile”-like piano ballad “LOML.”

Swift’s mental health reaches an all-time low on “Down Bad,” which finds her “crying at the gym” and repeatedly screaming, “F–k it if I can’t have him.”

However, by “I Can Do It With a Broken Heart,” a healed Swift realizes she’s “a real tough kid.”

“They said, ‘Babe, you gotta fake it ’til you make it’ / And I did,” she intones. “Lights, camera, bitch, smile / Even when you wanna die.”

That optimism ultimately leads Swift to her current boyfriend, NFL star Travis Kelce, whose influence on the penultimate track, “The Alchemy,” is all too obvious with lyrical references to touchdowns, trophies and benchwarmers.

With 16 songs (20 if you collect all four special-edition variants with bonus tracks), tuning in to “The Tortured Poets Department” may seem like a chore in an age where snappy TikTok videos have diminished our attention spans. After all, Ariana Grande and Kelsea Ballerini’s comparable post-divorce projects clocked in at just 35 and 15 minutes, respectively.

But Swift’s latest opus, which sonically is a combination of 2020’s “Evermore” and 2022’s “Midnights,” is such a pièce de résistance that spending an hour-plus studying it in the poetry department may not be so bad after all.

Just keep an eye out for Alwyn across the hall in detention.

As a behavioural economist and lifelong bachelor, I should no longer be surprised by how comfortable married people are telling single people how to live. Among elsewhere, this unsolicited advice can be found on high-profile opinion pages, with an array of articles advising singles to marry sooner rather than later in order to live a more fulfilling life.

 

A recent Deseret News op-ed urged 34-year-old Taylor Swift, currently dating Kansas City Chiefs tight end Travis Kelce, to get married. According to this piece, Swift could then find stability and contentment, diverging from a path of serial monogamy and public heartbreaks (often referenced in her lyrics). And by marrying now, she would improve her chances to have kids, something the pop star has acknowledged as a potential goal.

When I was 34, I threw myself a bachelor party as a new professor at the University of Colorado Boulder. Fifteen friends visited my new home for a weekend of hiking, poker, wiffleball, tailgating and the obligatory bar crawl.

There was just one hitch: I wasn’t getting hitched.

Instead, after a recent “near miss,” I began to doubt that matrimony was the right path for me. I thought, Who gets to decide that you need to get married in order to celebrate your singlehood?

And there is a lot of singlehood to be celebrated.

In the United States, 50% of adults are unmarried, 28% live alone, and Pew Research projects that by the time they reach middle age, as many as 25% of millennials will never marry. Pew also reports that 50% of single adults in the United States are not actively looking for 𝑠e𝑥 or romance. Their temporary or permanent disinterest in love or lust is varied and revealing. Forty-four percent simply enjoy being single, and 47% have other life priorities taking precedence. Like Swift, they may be making art, building a business or both.

I don’t know Taylor Swift, nor do I know most of the 127 million unmarried adults in the United States. Yet I contend that the former serves as a powerful, positive role model for the latter — especially young women. By all the evidence, Swift is resilient, creative and courageously embracing her wholeheartedness, whether dating or not.

Going SoloTaylor Swift appears to exemplify a subset of singles that I call “Solos” — distinct from the kind of person who feels incomplete until they someday find “the one.”

Solos are wholehearted and celebrate their autonomy while remaining connected to friends, family and community. They think unconventionally about relationships, and about life in general. These perspectives challenge traditional notions of singlehood, offering an empowering alternative to waiting, sometimes hopelessly, for Mr. or Ms. Right to come along.

A recent Deseret News op-ed urged 34-year-old Taylor Swift, currently dating Kansas City Chiefs tight end Travis Kelce, to get married. According to this piece, Swift could then find stability and contentment, diverging from a path of serial monogamy and public heartbreaks (often referenced in her lyrics). And by marrying now, she would improve her chances to have kids, something the pop star has acknowledged as a potential goal.

When I was 34, I threw myself a bachelor party as a new professor at the University of Colorado Boulder. Fifteen friends visited my new home for a weekend of hiking, poker, wiffleball, tailgating and the obligatory bar crawl.

There was just one hitch: I wasn’t getting hitched.

Instead, after a recent “near miss,” I began to doubt that matrimony was the right path for me. I thought, Who gets to decide that you need to get married in order to celebrate your singlehood?

And there is a lot of singlehood to be celebrated.

In the United States, 50% of adults are unmarried, 28% live alone, and Pew Research projects that by the time they reach middle age, as many as 25% of millennials will never marry. Pew also reports that 50% of single adults in the United States are not actively looking for 𝑠e𝑥 or romance. Their temporary or permanent disinterest in love or lust is varied and revealing. Forty-four percent simply enjoy being single, and 47% have other life priorities taking precedence. Like Swift, they may be making art, building a business or both.

I don’t know Taylor Swift, nor do I know most of the 127 million unmarried adults in the United States. Yet I contend that the former serves as a powerful, positive role model for the latter — especially young women. By all the evidence, Swift is resilient, creative and courageously embracing her wholeheartedness, whether dating or not.

Going SoloTaylor Swift appears to exemplify a subset of singles that I call “Solos” — distinct from the kind of person who feels incomplete until they someday find “the one.”

Solos are wholehearted and celebrate their autonomy while remaining connected to friends, family and community. They think unconventionally about relationships, and about life in general. These perspectives challenge traditional notions of singlehood, offering an empowering alternative to waiting, sometimes hopelessly, for Mr. or Ms. Right to come along.

Solos may welcome romance — for example, making plans to spend a cozy holiday season together in their beau’s new $6 million Kansas City mansion. Solos, however, do not feel incomplete in the meantime. Swift seems not to be one of those people who drop their friends every time a boy comes along. She is dedicated to her girl gang — as the almost nonstop coverage of her nights out with her female friends shows — and her community of Swifties.

If you have any doubts about Swift’s unconventional perspective, check out her Time Person of the Year Instagram post featuring the magazine cover of her and one of her three cats. In her announcement, she makes the stereotype of the “cat lady” look cool to her 278 million followers.

Time Magazine: We’d like to name you Person of the Yea―Me: Can I bring my cat.

Being single is about one’s relationship status. Going Solo is about one’s perspective.

My transformation from single to Solo occurred in three phases. My autonomy and self-reliance began to develop early in life, being the son of a financially struggling single mom. I had to learn to parent myself at a young age, becoming so adept at self-sufficiency that a girlfriend’s mom remarked to her, “He doesn’t need you.” Mom thought that was a bug, but I believe it to be a feature of a healthy relationship in which partners choose each other — interdependent rather than co-dependent.

I recognised my wholeheartedness as a result of an acute heartbreak in my 30s. I thought I would ride the relationship escalator with a smart, funny fashionista. However, she wanted kids, and I did not — which brought the relationship to an end. As I was grieving (hard), I had a moment of insight when I realised, I am happy when I am single. Not “less than.” Not “incomplete.”

My unconventional perspective about relationships, and about life more generally, occurred as part of my “Solo” podcast, as I realised how fulfilling a broad array of relationships can be — and why important relationships should be given the same high status that a marriage has.

Fortunately, people have given up and stopped asking me, “So, is there anyone special?” However, with the holidays here, too many singles — especially women, who typically experience more strident and insidious pressure than men — will face that question.

Taylor Swift has humiliated Kim Kardashian by reigniting their feud with the release of an apparent ‘diss track’ on new album The Tortured Poets Department – in what fans are describing as the ‘ultimate f**k you’.

 

 

 

Taylor, 34, dropped the hotly anticipated record at midnight ET on Friday, before making the shock announcement of a ‘second instalment,’ titled The Anthology, featuring nearly twice the number of songs as originally expected.

Among the tracks included in the second release is a song titled thanK you aIMee, which fans are now convinced is about Kim, noting that the letters K, I, and M are capped up in the title.

SKIMS founder Kim, 43, also believes the track is a pointed reference to her, according to insiders, who claim she feels backed into a corner and unable to speak out for fear she will be annihilated by Taylor’s ‘army’ of devout fans.

‘Taylor has humiliated Kim, and she knows that there is nothing she can do about it,’ a source told DailyMail.com exclusively. ‘Kim got what she feared was coming to her eventually, and is now backed in a corner because she knows Taylor’s army will destroy her if she says anything.

‘She is going to stay silent and hopes it will go away – but her friends know that it has only just started.’

The source continued: ‘Fans are already spamming her Instagram posts with “thanK you aIMee.” The most malicious part of all of this is the song title.

‘Taylor has done a lot of diss tracks but she has never named anyone that her songs are written for.

‘There can be no other interpretation. It is spelled out and will last forever.’

The insider said Kim is ‘aware of the pain’ she caused Taylor and that she has ‘tried hard to make amends in recent years,’ adding: ‘But she never did the one thing that she really needed to all along – simply apologize.’

Her track thanK you aIMee centers on Taylor’s apparent dislike for a mean school girl she refers to as ‘Aimee’ – who fans believe is actually Kim as Taylor confirms she changed the name of the woman in question.

In one line she sings: ‘There’s a bronze spray-tanned statue of you and a plaque underneath it/That threatens to push me down the stairs, at our school.’

‘All that time you were throwin’ punches, I was buildin’ somethin’ / And I can’t forgive the way you made me feel / Screamed ‘F**k you, Aimee’ to the night sky, as the blood was gushin’ / But I can’t forget the way you made me heal.’

She goes on to add: ‘And it wasn’t a fair fight, or a clean kill / Each time that Aimee stomped across my gravе / And then she wrote hеadlines/ In the local paper, laughing at each baby step I’d take.’

She also seems to references Kim’s 10-year-old daughter North West dancing to her 2014 single Shake It Off on TikTok back in January, finding it ironic as the ‘song is about you.’

She sings: ‘And so I changed your name, and any real defining clues/And one day, your kid comes home singin’ a song that only us two is gonna know is about you.’

Sharing their thoughts on social media platform X, one fan described the song as ‘The ultimate f**k you,’ while another shocked listener said: ‘OMFG thanK you aIMee is about Kim Kardashian. This album is SO unhinged.’

Others are relentlessly spamming the comment sections on her Instagram and TikTok accounts with ‘thanK you aIMee’ and snake emojis.

Fans have also suggested a second song, Cassandra, could be another subtle jab at Kim, owing to multiple references to ‘snakes.’

Many believe the title character, Cassandra, is Taylor, while references to ‘the call’ are meant to allude to a phone call between the singer and Kanye, which Kim secretly recorded and posted online.

The snake emoji has played a major role in the ongoing feud between Taylor and Kim which started over a dispute between Taylor and Kim’s ex husband Kanye West.

The rapper famously stormed the stage at the 2009 VMAs when she won the prize for Best Female Video, telling the audience: ‘Yo, Taylor, I’m really happy for you. I’mma let you finish, but Beyoncé had one of the best videos of all time.’

After tying the knot with Kanye in 2014, Kim was at his side the following year when Taylor presented him with the lifetime achievement prize at the VMAs.

The pair appeared to have brought an end to their row – but in an interview with Rolling Stone Taylor noted that this was far from the case.

‘I’m standing in the audience with my arm around his wife, and this chill ran through my body,’ she recalled.

‘I realized he is so two-faced. That he wants to be nice to me behind the scenes, but then he wants to look cool, get up in front of everyone and talk s**t. And I was so upset. He wanted me to come talk to him after the event in his dressing room. I wouldn’t go.’

Adding an explosive new level to their feud, Kanye shocked the internet when, in 2016, he released his new song Famous, featuring the vulgar lyrics: ‘I feel like me and Taylor Swift might still have sex/Why? I made that b***h famous.’

Kanye furiously defended himself in a now-deleted tweet in which he claimed Taylor ‘thought it was funny and gave her blessings.’

Taylor’s representative hit back claiming she was never made aware of the ‘misogynistic message.’

Kim then sparked a social media firestorm when she shared a Snapchat video of Kanye during a phone call with the Cruel Summer singer, which appeared to prove he had asked Taylor for permission to include lyrics about her in his new song.

After rapping the line, West can be heard saying: ‘I think this is a really cool thing to have.’

Swift responds: ‘I know, it’s like a compliment, kind of. Yeah, I mean, what’s dope about the line is it’s very tongue in cheek either way. And I really appreciate you telling me about it, that’s really nice.’

Taylor became the subject of furious backlash when the video was shared online, with many accusing her of being a snake.

After Kim’s post made her the subject of multiple ‘snake’ memes, Taylor stood by her version of events in a furious social media statement.

‘That moment when Kanye West secretly records your phone call, then Kim posts it on the Internet,’ she wrote before asking: ‘Where is the video of Kanye telling me he was going to call me ‘that b****’ in his song?

‘It doesn’t exist because it never happened. You don’t get to control someone’s emotional response to being called ‘that b****’ in front of the entire world.’

‘He promised to play the song for me, but he never did. While I wanted to be supportive of Kanye on the phone call, you cannot ‘approve’ a song you haven’t heard.

‘Being falsely painted as a liar when I was never given the full story or played any part of the song is character assassination. I would very much like to be excluded from this narrative, one that I have never asked to be a part of, since 2009.’

Taylor took a break from the limelight before returning in 2017 with her new single Look What You Made Me Do – a pointed dig at Kim and Kanye which took aim at the trolls who had furiously branded her a ‘snake.’

She appeared to reignite the feud again in 2019 when she hit out at celebrity manager Scooter Braun, who had purchased the rights to her masters.

She wrote: ‘Some fun facts about today’s news: I learned about Scooter Braun’s purchase of my masters as it was announced to the world.

‘All I could think about was the incessant, manipulative bullying I’ve received at his hands for years. Like when Kim Kardashian orchestrated an illegally recorded snippet of a phone call to be leaked and then Scooter got his two clients together to bully me online about it.

‘Or when his client, Kanye West, organized a revenge porn music video that strips my body naked.’

It all exploded once more in 2020 with Taylor’s film Miss Americana, in which she noted that she felt ‘alone and bitter’ during her fall-out with Kanye and Kim, adding that she was branded ‘wicked and evil.’

Around the time leaked footage of her call with Kanye appeared to suggest Taylor was telling the truth about the conversation.

Days later, Kim posted a series of messages claiming Taylor was not being fully truthful and slammed the singer for her timing in rehashing the feud.

‘To be clear, the only issue I ever had around the situation was that Taylor lied through her publicist who stated that “Kanye never called to ask for permission…” They clearly spoke so I let you all see that,’ she wrote.

Taylor’s long time publicist Tree Paine quickly responded with a social media post of her own, tweeting: ‘I’m Taylor’s publicist and this is my UNEDITED original statement. Btw, when you take parts out, that’s editing.

‘P.S. who did you guys p*** off to leak that video?’

Kim clapped back claiming ‘nobody ever denied the word “b****” was used without her permission,’ adding how she felt actions she and Kanye took were ethical.

After being named as TIME’s Person Of The Year back in December 2023, Taylor slammed Kim for ‘taking her down psychologically’ and forcing her into hiding during their long-running feud – while subtly branding the reality star and her ex-husband Kanye West as ‘trash’.

Tortured Poets Department is Taylor’s 11th studio album since she burst onto the music scene in 2006.

Many believe she also targets her ex boyfriend Joe Alwyn on the record, accusing him of cheating on her in her acerbic song The Smallest Man Who Ever Lived.

Taylor was in a relationship with actor Joe, 32, for six years before their shock split in early 2023.

Fans have also speculated that her latest work references her short romance with The 1975 frontman, Matty Healy.

Travis Kelce will move iп together for good if their ‘practice rυп’ at his $6 millioп Kaпsas City maпsioп goes well, accordiпg to iпsiders, who claim the loved υp ‘soυlmates’ have discυssed a family.

A moviпg trυck was spotted oυtside the NFL star’s пew pad oп Tυesday – jυst oпe day after Taylor, 33, wrapped the Soυth Americaп leg of her Eras toυr with a sold oυt coпcert iп Brazil – with fυrпitυre aпd other items pictυred beiпg carried iпside.

The coυple, who started datiпg iп September, are said to be ‘obsessed’ with each other, with the pair flyiпg to aпd from his games aпd her coпcerts to speпd time together.

‘While Taylor is пot officially moviпg iп with Travis, her frieпds aпd family believe she isп’t exactly moviпg oυt either,’ a soυrce close to the Blaпk Space siпger told DailyMail.com exclυsively.

Taylor Swift’s frieпds aпd family believe Travis Kelce, 34 (pictυred iп September after a Kaпsas City Chiefs game) is her ‘soυlmate’

Taylor, 33, is stayiпg at Travis’s $6 millioп home (pictυred here) as ‘a practice rυп,’ for the fυtυre, accordiпg to a soυrce

Oп Tυesday, a moviпg vaп was seeп υпloadiпg fυrпitυre aпd other persoпal beloпgiпgs iпto Travis’s mega-maпsioп, where Taylor flew to after wrappiпg her Soυth Americaп toυr dates

‘Everyoпe trυly believes that Taylor aпd Travis are soυlmates. Taylor also believes this, as does Travis.

‘They are both absolυtely obsessed with each other aпd yes, very mυch iп love. They waпt the same thiпgs iп life – a fυtυre aпd possibly a family. If thiпgs coпtiпυe goiпg the way they are goiпg they will coпtiпυe to cohabitate becaυse that is what coυples iп love do. This is kiпd of like a practice rυп iп a seпse.’

The legeпdary mυsiciaп aпd the Kaпsas City Chiefs tight-eпd, 34, are reportedly lookiпg to speпd the holidays together aпd have пo plaпs to pυt aпy distaпce betweeп them – except wheп their careers reqυire it.

‘If thiпgs coпtiпυe goiпg the way they are goiпg they will coпtiпυe to cohabitate becaυse that is what coυples iп love do. Coυples live together,’ the soυrce coпtiпυed.

‘For Taylor, it is aboυt where her heart is – aпd right пow her heart is iп his home iп Kaпsas City with the maп that she loves.’

Taylor’s property portfolio, which iпclυdes hoυses iп New York, Rhode Islaпd, Teппessee aпd Los Aпgeles is believed to be worth aroυпd $80 millioп.

Bυt despite aп appareпt desire to shack υp with her пew maп, the Love Story siпger isп’t plaппiпg to sell aпy off.

‘These hoυses are пot beiпg sold aпd she is пot gettiпg rid of aпy of her stυff, пor is she pυttiпg it all iпto boxes aпd loadiпg it iп to Travis’s attic,’ the soυrce added.

As a vaп υпloaded fυrпitυre at Travis’s lυxυry 17,000 sq. ft. property, him aпd Taylor were seeп arriviпg separately to the пewly-bυilt $8 millioп maпsioп owпed by Travis’ teammate Patrick Mahomes, 28, aпd his wife Brittaпy, 28.

Taylor aпd Travis eпjoyed a doυble date with his teammate Patrick Mahomes aпd his wife Brittaпy, 28 – pictυred with Taylor at a Chiefs game earlier this year

Taylor stepped oυt with Brittaпy aпd Seleпa Gomez, 31, earlier this moпth

Taylor aпd Travis speпt several hoυrs at Patrick’s braпd пew $8 millioп home the same day that a moviпg vaп was seeп at Travis’s crib

The two coυples speпt several hoυrs together at the Mahomes’ mega-maпsioп – which featυres a fυll-leпgth football field with his пame iп the eпd zoпe aпd his logo oп the 20 yard liпe.

They were theп spotted arriviпg back at Travis’s пewly bυilt six-bedroom, six-bathroom home, which was said to have beeп bυilt with Taylor iп miпd.

Taylor doesп’t retυrп to the stage υпtil Febrυary 7, wheп she takes her toυr to Japaп.

Iп the meaпtime, the loved υp dυo have pleпty of time to speпd playiпg hoυse.

‘Up υпtil пow it has beeп time sпatched as they both have had sυch bυsy schedυles,’ a soυrce previoυsly revealed exclυsively to DailyMail.com.

Taylor has watched him play iп the NFL foυr times, he flew 5,400 miles to Bυeпos Aires, Argeпtiпa, to see her iп coпcert, aпd they appeared oп Satυrday Night Live together.

‘Obvioυsly those areп’t the thiпgs that a regυlar пew coυple woυld do iп their first moпths together,’ the soυrce coпtiпυed.

‘Bυt пow Taylor aпd Travis caп try to be as пormal as their lives allow them to be.

‘They fiпally have the time aпd opportυпity to speпd some for real qυality time together.’

Back iп Jυly, Travis talked aboυt atteпdiпg oпe of her coпcerts oп his New Heights podcast aпd reflected oп his failed attempt to give Taylor his пυmber.

However, it appears their romaпce was meaпt to be, with the sports star statiпg: ‘There were defiпitely people she kпew that kпew who I was, iп her corпer [who said]: “Yo! Did yoυ kпow he was comiпg?” I had somebody playiпg Cυpid.’

Taylor sooп reached oυt to Travis, aпd the Chiefs star expressed: ‘She told me exactly what was goiпg oп aпd how I got lυcky eпoυgh to get her to reach oυt.’

The pair’s bυddiпg romaпce first came to light wheп Taylor was seeп atteпdiпg the Chiefs game agaiпst the Chicago Bears iп late September.

Pro football player Travis receпtly opeпed υp aboυt his whirlwiпd romaпce with Taylor dυriпg aп iпterview with the Wall Street Joυrпal

‘I’ve пever beeп a maп of words,’ he told the oυtlet, addiпg: ‘Beiпg aroυпd her, seeiпg how smart Taylor is, has beeп f***iпg miпd-blowiпg. I’m learпiпg every day’

Travis receпtly opeпed υp aboυt their highly pυblicized υпioп, telliпg the Wall Street Joυrпal: ‘Everybody aroυпd me telliпg me “Doп’t f**k this υp!”… Obvioυsly I’ve пever dated aпyoпe with that kiпd of aυra aboυt them.

‘I’ve пever dealt with it. Bυt at the same time, I’m пot rυппiпg away from aпy of it.’

He coпtiпυed: ‘The scrυtiпy she gets, how mυch she has a magпifyiпg glass oп her, every siпgle day, paparazzi oυtside her hoυse, oυtside every restaυraпt she goes to, after every flight she gets off, aпd she’s jυst liviпg, eпjoyiпg life.

‘Wheп she acts like that, I better пot be the oпe actiпg all straпge.’

The two have met each other’s eпtire families aпd were set to speпd Thaпksgiviпg together before the υпthiпkable tragedy strυck Taylor oп toυr oп November 17 wheп faп Aпa Clara Beпevides, 23, collapsed aпd died iп the oppressive heat at her show iп Rio de Jaпeiros.

Aпa’s death shattered Taylor. ‘I caп’t eveп tell yoυ how devastated I am by this,’ she posted oп her Iпstagram Story. ‘She was so iпcredibly beaυtifυl aпd far too yoυпg.’

Taylor iпvited five members of the yoυпg faп’s family to her fiпal show last Sυпday where they watched her perform from a VIP teпt.

Taylor Swift has stirred up some serious bad blood with the release of her latest album The Tortured Poets Department, taking aim at multiple exes, including Joe Alwyn and Matty Healy, while also reigniting her explosive feud with Kim Kardashian.

The singer, 34, officially dropped The Tortured Poets Department – her 11th studio album – on Friday, leaving fans scrambling to unravel the many pointed references to various romantic partners hidden within the lyrics of her songs.

But while Taylor made several digs at the likes of Joe and Matty, her former boyfriends were not the only people to find themselves at the pointy end of the singer’s razor-tongued attacks.

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Reality star Kim was also among the targets of the album, with listeners calling out not one, but two ‘diss tracks’ in which Taylor appears to reference her bitter feud with the reality star, as well as her ex-husband Kanye West.

Taylor’s album was officially released at midnight ET (2am UK time), but just two hours later, she revealed on social media that there was a ‘second installment’, titled The Anthology, having sparked a flurry of speculation that a shock reveal was coming when she shared a countdown clock on social media.

Among the tracks included in that second release is a song titled thanK you aIMee, which fans are now convinced is aimed specifically at Kim, 43, noting that the letters K, I, and M are capped up in the title of the 24th track.

 

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Taylor Swift has reignited her explosive feud with Kim Kardashian by releasing a diss track aimed at the reality star

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Fans are convinced one of the 31 tracks – thaK you aIMee – is aimed at Kim, as the letter K,I and M are capped up to spell out her name

The song, which was released on the surprise ‘double’ version of The Tortured Poets Department, takes aim at a person named ‘Aimee’, who fans are convinced is actually Kim

A second track, titled Cassandra, is also being called out for its apparent references to Taylor’s feud with both Kim and her ex-husband Kanye West

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Taylor’s exes Joe Alwyn (left) and Matty Healy (right) also found themselves at the center of furious speculation over supposed digs the singer made at both of them in her songs 

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Fans also called out another song called Cassandra, which makes several references to ‘snakes’; the snake emoji has played a major role in the ongoing feud between Taylor and Kim, as well as the reality star’s ex-husband Kanye West, leading many to believe that the track is yet another subtle jab.

Meanwhile thanK you aIMee centers on Taylor’s apparent dislike for a mean school girl she refers to as ‘Aimee’ – with fans convinced that the person she is actually singing about is Kim.

READ MORE: Taylor targets exes Joe Alwyn and Matty Healy in The Tortured Poets Department – taking aim at ‘life-ruining men’ 

Taylor sings in one line: ‘There’s a bronze spray-tanned statue of you and a plaque underneath it/That threatens to push me down the stairs, at our school.’

‘All that time you were throwin’ punches, I was buildin’ somethin’ / And I can’t forgive the way you made me feel / Screamed ‘F**k you, Aimee’ to the night sky, as the blood was gushin’ / But I can’t forget the way you made me heal.’

She goes on to add: ‘And it wasn’t a fair fight, or a clean kill / Each time that Aimee stomped across my gravе / And then she wrote hеadlines/ In the local paper, laughing at each baby step I’d take.’

Taylor concludes by confirming she’s changed the name of the woman she’s singing about – further fueling speculation the track is about Kim.

She also seems to reference Kim’s 10-year-old daughter North West dancing to her 2014 single Shake It Off on TikTok, finding it ironic as the ‘song is about you’.

She sings: ‘And so I changed your name, and any real defining clues/And one day, your kid comes home singin’ a song that only us two is gonna know is about you.’

Sharing their thoughts on social media platform X, one fan described the song as ‘The ultimate f**k you,’ while another shocked listener said: ‘OMFG thanK you aIMee is about Kim Kardashian. This album is SO unhinged.’

Another chimed in: ‘Kim your day of reckoning is here,’ while one simply wrote: ‘Welcome to your tape.’

While the references in Cassandra are largely more subtle, that hasn’t stopped fans from calling out the way in which Taylor appears to be going after Kim.

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Taylor wowed in the album artwork for the eagerly-anticipated record 

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She showed off her figure while reclining on a bed 

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Smouldering pouts and sizzling stares accompanied the moody album

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She gave the black and white shots her all after releasing the album

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Taylor was subject to stunning close-ups 

Have YOU listened to Taylor’s new album yet?

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Many believe that the title character, Cassandra, is Taylor, while references to ‘the call’ are meant to allude to a phone call between the singer and Kanye, which Kim secretly recorded and posted online.

Additionally, the references to ‘snakes’ in the song are being compared to the use of snake emojis throughout the feud between the trio.

‘thanK you, aIMee may be about Kim, but Dear Reader, please don’t overlook the fact that Cassandra is a brilliant retelling of how Kanye, Kim, and the extended Kardashian family knew the truth and tried to ruin Taylor’s career anyway. Stay for the jabs at Yeezus/Sunday Sessions,’ one said.

‘Cassandra is Taylor and she warned everyone about Kim but no one believed her oh taygod,’ one person shared on X.

Another agreed, writing: ‘Taylor is Cassandra. She tried to warn people about Kim/the Kardashians but people wouldn’t believe her.’

Taylor and Kim’s longtime row actually began thanks to the singer’s dispute with Kanye in 2009, when he famously stormed the stage at the VMAs when she won the prize for Best Female Video.

A furious Kanye took to the stage to declare that Beyonce should have won the prize, telling Taylor: ‘Yo, Taylor, I’m really happy for you. I’mma let you finish, but Beyoncé had one of the best videos of all time.’

Kim Kardashian and daughter North West dance together on TikTok

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Taylor also seems to reference Kim’s 10-year-old daughter North West dancing to Shake It Off on TikTok back in January, she writes:# your kid comes home singin’ a song that only us two is gonna know is about you’

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Taylor sings in one line: ‘There’s a bronze spray-tanned statue of you and a plaque underneath it/That threatens to push me down the stairs, at our school.’ (pictured with Kim in 2015)

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Taylor also seems to hit out at Kim’s 10-year-old daughter North West as she sings: ‘And so I changed your name, and any real defining clues/And one day, your kid comes home singin’ a song that only us two is gonna know is about you.’

Taylor Swift shakes off questions about her Kanye West feud

The moment was quickly slammed by furious viewers, as Taylor was then unable to finish her acceptance speech, though Beyonce later invited her on-stage while she accepted the Video Of The Year prize.

After tying the knot with Kanye in 2014, Kim was proudly at his side when he received the coveted Vangard Award at the VMAs.

Appearing to show their feud was quashed, it was Taylor who presented him with the prize, and the pair appeared to have brought an end to their row.

However, in a later interview, Taylor noted that this was far from the case, as Kanye declared on stage that she was asked to present the award ‘for ratings,’ and she refused to speak to him backstage.

She told Rolling Stone: ‘I’m standing in the audience with my arm around his wife, and this chill ran through my body.

‘I realized he is so two-faced. That he wants to be nice to me behind the scenes, but then he wants to look cool, get up in front of everyone and talk s**t. And I was so upset. He wanted me to come talk to him after the event in his dressing room. I wouldn’t go.’

Adding an explosive new level to their feud, Kanye shocked the internet when he released his new song Famous.

It featured the vulgar lyrics ‘I feel like me and Taylor Swift might still have sex/Why? I made that b***h famous.’

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Sharing their thoughts on social media platform X, fans wrote: ‘The ultimate f**k you’The track sparked a huge backlash from Taylor’s fans, and Kanye furiously defended himself in a now-deleted tweet that said: ‘I called Taylor and had an hour-long convo with her about the line, and she thought it was funny and gave her blessings.’

Taylor’s representative then hit back, telling People: ‘Kanye did not call for approval, but to ask Taylor to release his single Famous on her Twitter account.

‘She declined and cautioned him about releasing a song with such a strong misogynistic message. Taylor was never made aware of the actual lyric, ‘I made that b***h famous.”’

Kim sparked a social media firestorm when she shared a Snapchat video of Kanye during a phonecall with Taylor, where the rapper appeared to ask her for permission to include lyrics about her in his new song.

After rapping the line, West can be heard saying: ‘I think this is a really cool thing to have.’

Swift responds: ‘I know, it’s like a compliment, kind of. Yeah, I mean, what’s dope about the line is it’s very tongue in cheek either way. And I really appreciate you telling me about it, that’s really nice.’

Taylor became the subject of furious backlash when the video was shared online, with many accusing her of being a snake.

After Kim’s post made her the subject of multiple ‘snake’ memes, Taylor stood by her version of events in a furious social media statement.

She wrote: ‘That moment when Kanye West secretly records your phone call, then Kim posts it on the Internet.’

The statement read: ‘Where is the video of Kanye telling me he was going to call me ‘that b****’ in his song?

‘It doesn’t exist because it never happened. You don’t get to control someone’s emotional response to being called ‘that b****’ in front of the entire world.’

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It is the Bad Blood singer’s 11th studio album since she burst onto the music scene in 2006

‘He promised to play the song for me, but he never did. While I wanted to be supportive of Kanye on the phone call, you cannot ‘approve’ a song you haven’t heard.

‘Being falsely painted as a liar when I was never given the full story or played any part of the song is character assassination. I would very much like to be excluded from this narrative, one that I have never asked to be a part of, since 2009.’

After hitting back, Taylor took a year-long break from the limelight, and only returned when she released her new single Look What You Made Me Do, in 2017.

After taking a lengthy break from the spotlight, Taylor made a sensational return with her track Look What You Made Me Do.

In the song, and it’s accompanying video, the star took aim at the trolls who had furiously branded her a ‘snake’ after Kim’s phonecall leak.

One clip from the video shows Taylor sitting on a throne surrounded by snakes, a pointed dig at Kim and Kanye.

Later the line ‘Et tu Brute’ is seen carved onto her throne — apparently bemoaning former friend Kim’s apparent betrayal.

After several years of relative silence between Taylor and Kanye, the star furiously took to Instagram to hit out at celebrity manager Scooter, who had purchased the rights to her masters in 2019.

In her post she once again took a pointed dig at Kanye and his 2016 track Famous.

She wrote: ‘ Some fun facts about today’s news: I learned about Scooter Braun’s purchase of my masters as it was announced to the world.

‘All I could think about was the incessant, manipulative bullying I’ve received at his hands for years. Like when Kim Kardashian orchestrated an illegally recorded snippet of a phone call to be leaked and then Scooter got his two clients together to bully me online about it.

‘Or when his client, Kanye West, organized a revenge porn music video that strips my body naked.’

In her track Miss Americana, Taylor noted that she felt ‘alone and bitter’ during her fall-out with Kanye and Kim, adding that she was branded ‘wicked and evil’.

She said: ‘When people decided I was wicked and evil and conniving and not a good person, that was the one I couldn’t really bounce back from, because my whole life was centred around it.’

‘I felt really alone, I felt really bitter, I felt sort of like a wounded animal lashing out. I figured I had to reset everything.’

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Taylor and Kim’s longtime row actually began thanks to the singer’s dispute with Kanye in 2009, when he famously stormed the stage at the VMAs

In the leaked footage , Kanye is seen informing Taylor he is writing a song about her and asking her if she could hype it up by tweeting about it.

Kanye tells her: ‘It has a very controversial line at the beginning of the song about you.’

Kanye then told Taylor she ‘sounded sad’, and the singer questioned if the lyrics were ‘mean’, at which point he reassured her that he didn’t think they were.

He then says the lyric: ‘To all my Southside n***as that know me best / I feel like Taylor Swift might owe me sex.’

Taylor laughs and says: ‘That’s not mean.’

Kanye goes on: ‘If you felt that it’s funny and cool and hip hop, and felt like it’s the College Dropout and Ye that you love, people would be way into it, and that’s why I think it’s super genius to have you be the one that says, ‘Oh I like this song a lot… this is cool.’

Taylor then tells Kanye she needs some time to think about it, adding: ‘When you hear something for the first time you need to think about it, because it is absolutely crazy.’

There is no mention Kanye would call her a ‘b***h’ or suggest he ‘made her famous’ during the phone call.

Taking to social media after the phonecall was leaked, Taylor said the conversation is ‘proving that I was telling the truth the whole time about *that call* (you know, the one that was illegally recorded that somebody edited, and manipulated in order to frame me and put me, my family, and fans through hell for 4 years)…’

In her Instagram Story post, Swift basically asked people to now move on from the headline-grabbing infamous feud between her and Kim and Kanye that stems from the rapper’s lyrics in his track Famous.

She started her post by saying: ‘Instead of answering those who are asking how I feel about the video footage that leaked…’ before adding in parentheses how she does feel.

She then concluded: ‘SWIPE UP to see what really matters.’

The singer directed her followers to the Feeding America website, suggesting they donate to the nonprofit organization that operates a network of food banks helping people impacted by the coronavirus pandemic.

Days after the phone call was leaked, Kim posted a series of messages claiming Swift is not being fully truthful about the 2016 phone call with her and Kanye about the song Famous – and the ongoing dispute as to whether Swift was aware of West’s lyrics, in which he called her a ‘b****.’

She also slammed Taylor for her timing in rehashing the feud as the country remains locked down amid the coronavirus pandemic.

The Keeping Up With The Kardashians wrote, ‘@taylorswift has chosen to reignite an old exchange – that at this point in time feels very self-serving given the suffering millions of real victims are facing right now.’

Taylor Swift makes joke in reference to Kanye interrupting her

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Things seem friendly between the pair in 2015, when Taylor presented Kanye with the Vangard Award at the VMAs, but she later admitting in an interview she thought he was ‘two-faced’

Kardashian said she had been avoiding giving the issue any oxygen amid the ongoing global outbreak – and was unhappy about doing so Monday – but needed to in an effort to defend her reputation.

‘I didn’t feel the need to comment a few days ago, and I’m actually really embarrassed and mortified to be doing it right now, but because she continues to speak on it, I feel I’m left without a choice but to respond because she is actually lying,’ Kardashian said.

The Calabasas native explained the nuances of the situation from her perspective: ‘To be clear, the only issue I ever had around the situation was that Taylor lied through her publicist who stated that ‘Kanye never called to ask for permission…’ They clearly spoke so I let you all see that.’

Taylor’s long time publicist quickly responded with a social media post of her own.

Tree Paine tweeted: ‘I’m Taylor’s publicist and this is my UNEDITED original statement. Btw, when you take parts out, that’s editing.

‘P.S. who did you guys p*** off to leak that video?’ followed by several laughing/crying emojis.

Kim continued: ‘Nobody ever denied the word ‘b****’ was used without her permission.

‘At the time when they spoke the song had not been fully written yet, but as everyone can see in the video, she manipulated the truth of their actual conversation in her statement when her team said she ‘declined and cautioned him about releasing a song with such a strong misogynistic message.”

Kim clarified her take on the issue, and how she felt actions she and West took were ethical.

‘The lie was never about the word b****, It was always whether there was a call or not and the tone of the conversation. I never edited the footage (another lie) – I only posted a few clips on Snapchat to make my point and the full video that recently leaked doesn’t change the narrative,’ she said.

‘To add, Kanye as an artist has every right to document his musical journey and process, just like she recently did through her documentary.

‘Kanye has documented the making of all of his albums for his personal archive, however has never released any of it for public consumption and the call between the two of them would have remained private or would have gone in the trash had she not lied and forced me to defend him.’

Kardashian made clear she is done commenting on the situation amid the unprecedented times due to the pandemic.

‘This will be the last time I speak on this because honestly, nobody cares,’ she said. ‘Sorry to bore you all with this. I know you are all dealing with more serious and important matters.’

At the MTV VMAs, Taylor announced she is dropping a brand new album on October 21st and it didn’t take fans long to realise that day also happens to be Kim Kardashian’s 42nd birthday.

‘Taylor Swift announcing a new album on the 13th anniversary of the Kanye West VMA sh**show, 5 years after the premier of LWYMMD at the VMAs, which will drop on Kim Kardashian’s birthday is ICON behaviour,’ one fan wrote.

Another said: ‘It’s been 13 years since THAT Kanye-Taylor moment at the VMAs and now Taylor decides to announce her brand new album with 13 tracks at the VMAs today that will be released on October 21st which also happens to be Kim K’s birthday. HER MINDDDDD!!!’

After being named as TIME’s Person Of The Year, Taylor Swift slammed Kim for ‘taking her down psychologically’ and forcing her into hiding during their long-running feud – while subtly branding the reality star and her ex-husband Kanye West as ‘trash’.

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After taking a lengthy break from the spotlight, Taylor made a sensational return with her track Look What You Made Me Do, which took a pointed dig at Kim and her ‘snake’ references

Taylor Swift urges fans to pre-save her new album on Spotify

The singer, 33, who has been named TIME Magazine‘s Person of the Year, dished on the dispute which started when Kim’s then-husband Kanye West wrote a 2016 song to include vulgar lyrics about the rising star.

He claimed Taylor had consented to the reference but, after denying it, Kim also weighed in and released what the popstar described as ‘an illegally recorded phone call’ between the pair which she claimed proved otherwise.

Taylor has now said that the public fallout said it felt like ‘a career death,’ adding: ‘Make no mistake — my career was taken away from me.’

Discussing the aftermath and the brutal toll that it took on her wellbeing, Taylor told the outlet: ‘You have a fully manufactured frame job, in an illegally recorded phone call, which Kim Kardashian edited and then put out to say to everyone that I was a liar.’

‘That took me down psychologically to a place I’ve never been before. I moved to a foreign country. I didn’t leave a rental house for a year. I was afraid to get on phone calls.’

Although she didn’t elaborate on where she moved to, Swift began dating British actor Joe Alwyn in late 2016, and it was widely rumored that she had rented a home in London in order to spend more time with him.

During that period, she all but vanished from the public eye, something that she says came as a result of the Kardashian and West fallout.

‘I pushed away most people in my life because I didn’t trust anyone anymore. I went down really, really hard.’

Most of the pop icon’s next album Reputation, released in 2017, was aimed at her experience during the ordeal.

But the abundance of snake imagery used in veiled reference to mom-of-four Kim, now 43, only reignited the furor.

‘I thought that moment of backlash was going to define me negatively for the rest of my life,’ she explained.

 

 

The song is the first single off the singer’s newest album, ‘The Tortured Poets Department,’ and is one of two collaborations on the record.

 

Following the release of Taylor Swift’s 11th studio album, The Tortured Poets Department, the singer-songwriter put out a video for the album’s first single, “Fortnight,” the same day — and it features Easter eggs galore.

Swift opens the video in solitary confinement and chained to a bed, where she’s delivered medication that she reluctantly takes. Swift then enters an office and sits at her typewriter across from Post Malone at his own typewriter. As the two sit across from each other, Swift sings, “I love you. It’s ruining my life,” which is then echoed by the text coming from her typewriter.

The video then jumps to Swift and Post Malone in a barren desert, and Swift runs into his arms — all while hundreds of pieces of paper fly around them.

Also Taylor Swift Posted a Recap for Fortnight on her Official YouTube Channel which shows a Cute moment between her and her Beau Travis Kelce, Here is the Video:

Then, next time, the chorus begins with, “I love you. It’s ruining my life,” Swift is seen hooked up to a straight jacket, staring directly at the camera, with scientists — including Post Malone — tracking her every movement.

As the song transitions to his feature, the two are separated while Swift sits in the rain atop a phone booth, and Post Malone is distressed on the phone. But as the video concludes, it continues to cut back to a rain-soaked Swift singing and clips of her other personas destroying her surroundings, from wreaking havoc through the file cabinets to trying to escape solitary confinement.

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Before audiences can see if she escapes from the other clips, Post Malone discovers her above the phone booth, and the two finally reconnect.

Actors Ethan Hawke and Josh Charles also appear in the video. Both starred in the 1989 film Dead Poets Society.

On Thursday, April 18, Swift, 34, announced that “Fortnight,” featuring Post Malone, would be the first single off Tortured Poets, sharing a sneak peek teaser hours later.

In the announcement posted to her Instagram, the singer wrote of Malone, 28: “I’ve been such a huge fan of Post because of the writer he is, his musical experimentation and those melodies he creates that just stick in your head forever. I got to witness that magic come to life firsthand when we worked together on Fortnight.”

 

As Travis Kelce and Taylor Swift begin a new chapter together in their shared home, their actions on social media and through publicists speak volumes.

 

Travis and Taylor are navigating their new relationship amidst the backdrop of their pasts.

Their recent interactions highlight how they’re moving on from their previous relationships and stepping into a new era together.

First, Travis cut his ties with his former flame, Kayla Nicole.

The Kansas City Chiefs tight end and Nicole had an on-and-off relationship for five years.

Fans quickly picked up that Travis no longer followed Kayla on on social media.

This happened soon after she publicly thirsted over Philadelphia Eagles QB, Jalen Hurts.

Travis’s drama seems minor compared to the rumor mill when it comes to Taylor and her ex Joe Alwyn.

Taylor’s longtime publicist, Tree Paine, made a rare public statement about the Cruel Summer singer’s private life when she took to X (previously known as Twitter) to shut down rumors from DeuxMoi that Joe and Taylor had secretly wed.

“Enough is enough with these fabricated lies about Taylor from Deuxmoi,” Paine stated. “There was NEVER a marriage or ceremony of ANY kind. This is an insane thing to post. It’s time for you to be held accountable for the pain and trauma you cause with posts like these.”

Taylor and Joe announced their split in April, but now a new Instagram post from her bestie Jack Antonoff has fans questioning that timeline.

Jack, who’s been working with Taylor since her 1989 album, shared a throwback photo in honor of her song You’re Losing Me (From the Vault).

The intrigue came from the caption, noting the song’s creation on a specific date in December 2021. The date led fans to analyze the lyrics, which seem to speak of a failing long-term relationship.

Regardless of the confusing timelines, Taylor and Travis seem to be happy as they prepare to spend an extended amount of time together for the very first time.

And her fans could not be more excited for her.

“The way j*e and Taylor were together for years and he treated her horribly but yet her and Travis have been together for 4 months and he’s talked about her multiple times on the podcast and in interviews, likes posts about her and supports her at her shows oh the upgrade,” one fan wrote on X.

LOS ANGELES, CALIFORNIA: As Taylor Swift’s Eras Tour continues to captivate audiences, rumors abound that her boyfriend, Travis Kelce of the Kansas City Chiefs, may be seeking her father’s blessings for marriage, according to Page Six. The potential engagement adds an exciting twist to Swift’s journey in 2024.

While there is no official confirmation, insiders suggest that Travis Kelce has approached Scott Swift to seek his blessing for the union. Speculation also arose about a potential engagement ring being designed or already having been completed. It is also “very probable” they are spending the holiday together.

Based on a source close to Kelce, “Scott has been asked for his blessing and has wholeheartedly given it, and Travis has been talking to friends about a ring,” per Page Six.

Buzz surrounding Taylor Swift and Travis Kelce’s potential engagement

Taylor Swift and Travis Kelce’s romance seems to be getting serious (Gotham/GC Images)

Although Swift and Kelce’s reps are keeping mum, it’s clear their romance is only going to get hotter.

Also Read: ‘So proud of you’: Swifties rejoice as Billboard names Taylor Swift ‘greatest pop star of 2023’

Kelce, described as the “most extroverted guy Taylor has dated in forever” by the inside source, is changing the dynamics of Swift’s love life. Unlike past relationships, Swift and Kelce are not shying away from public displays of affection.

This openness is a notable departure from her previous romance with actor Joe Alwyn, known for being conducted under a cloak of secrecy.

Also Read: ‘In for a rude awakening’: Internet turns on Megyn Kelly after she calls for boycott of Taylor Swift

“If Taylor wants to change the lyrics to her song after four months of dating and sing in front of 60,000 people … Travis will stand there beaming for the crowd — he’s digging it,” said the source.

This was a reference to the singer’s November 13 show in Buenos Aires, Argentina, when she altered the lyrics to her song ‘Karma’, singing, “Karma is the guy on the Chiefs coming straight home to me,” while the Chiefs player was present in the crowd.

Taylor Swift changed the lyrics to her song ‘Karma’ for Travis Kelce at her Buenos Aires Eras Tour stop (Gotham/GC Images)

“Taylor finally has a partner willing and game,” the source said. “He’s like, ‘I’ll stand by the side of the stage and wait for you to jump in my arms — I’ll do that!’”

In April, news surfaced that Swift’s six-year romance with British actor Alwyn had come to an end. The duo, who had been living together in London, found solace in each other during the Covid lockdown, collaborating on songs that later found a place in Swift’s acclaimed pandemic albums, ‘Folklore’ and ‘Evermore’.

A source close to Swift claimed, “Taylor is so in love. She just hasn’t been with a guy who is so excited and proud to be with her in so long. She’d gotten used to having to hide away and lay low whenever she’s been in a relationship.”

The insider further added, “Now she’s finally with someone who is appropriately like, ‘Holy s**t, I’m with Taylor Swift! Awesome!’ and she’s so delighted that she gets to be out in the world.”

Insights from Time’s 2023 Person of the Year Interview

Taylor Swift delved into various aspects of her life, shedding light on past feuds and her newfound love with Kansas City Chiefs tight end, Travis Kelce. (Getty Images)

In a candid interview with Time Magazine after being named Person of the Year by them, Taylor Swift delved into various aspects of her life, shedding light on past feuds and her newfound love with Kansas City Chiefs tight end Travis Kelce.

Swift revealed the unconventional beginning of her romance with Kelce, describing what she believed was an adorable start. According to Swift, “This all started when Travis very adorably put me on blast on his podcast, which I thought was metal as hell.”

Swift emphasized the significance of a public relationship, highlighting that being public means witnessing each other’s passions and showing up for one another.

Swift also noted, “When you say a relationship is public, that means I’m going to see him do what he loves, we’re showing up for each other, other people are there and we don’t care … The opposite of that is you have to go to an extreme amount of effort to make sure no one knows that you’re seeing someone. And we’re just proud of each other.